My artistic practice is rooted in material exploration and observation. I work intuitively, allowing each experiment to guide the next. This approach comes from a personal place of searching through memories and navigating loss, a process that has shaped my understanding of art not as something fixed, but as something that can adapt, respond, and help us make sense of our experiences.

At the heart of my work is a fascination with fragments, the scattered pieces of history, culture, memory, and perception that shape our lives. These fragments, whether physical objects or abstract ideas, hold insights into who we are and where we come from. Through my art, I seek to gather these pieces, creating moments that encourage reflection on identity, belonging, and the quiet layers of grief that often remain unspoken.

My artistic path has led me to explore a range of different mediums. My background in ceramics, painting, and public art has given me a deep appreciation for the textures and forms that materials can embody. This attention to materiality also shapes my curatorial work, which I view as an extension of my artistic practice. For me, curating is about crafting an experience. By shaping exhibitions in public spaces, I hope to create environments where people feel drawn into the artefacts, finding echoes of their own stories in the objects and ideas on display.